CHRISTINA FOARD

Painting has been a pathway to open and react to memories. I build imaginary spaces and scenes, often implying gravitational forces, wind power, or hydropower to create sensations of movement, fal

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Critique Collective Critique Collective is your source for information and interviews about emerging and established contemporary artists.

Critique Collective is your source for information and interviews about emerging and established contemporary artists. Untitled drawing, belly button lint and tape on paper, 11 x 8. Many of your recent collages and drawings .

The English Room Classic style mixed with an eclectically modern twist Charlotte, NC

Gift Guide for the Bibliophile. Gifts For The Little Ones. March of Dimes Showhouse Bedroom. Gift Guide for the Bibliophile. Gifts For The Little Ones. March Of Dimes Showhouse Bedroom. Woman in Gold and Gustav Klimt.

FloridaMining

Is New York artist Caitlin Hurd. S exhibition at Florida Mining gallery in Jacksonville, Florida, exploring the surrealism of experienced reality. Historically, her work is largely representational, figurative oil paintings conveying realism rather than surrealism. However, after she was hit by a car in New York, she came to the realization that real life can be very surreal. This work focuses on moments when time is suspended and the mind travels to other .

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CHRISTINA FOARD

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Painting has been a pathway to open and react to memories. I build imaginary spaces and scenes, often implying gravitational forces, wind power, or hydropower to create sensations of movement, fal

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The web site cfoard.otherpeoplespixels.com has the following on the homepage, "Painting has been a pathway to open and react to memories." We noticed that the webpage also said " I build imaginary spaces and scenes, often implying gravitational forces, wind power, or hydropower to create sensations of movement, falling, sinking, floating, and areas of transformation." It also said " Highly process oriented, my techniques are physical pouring, spraying, sanding, scraping, carving paint at various stages and drying times, rhythmically moving between additive and subtractive methods, between intuitive and analytical cognition."

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